When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. Your browser isn’t supported anymore. https://fernandoqhwla.oblogation.com/30626942/o-maior-guia-para-lo-fi-bedtime-beats